Danielle Shorr’s illustrated January issue memoir “My Neighbors Can See My Nipples and Other Observations” is something to behold, to say the least. Here she shares just one thing about the piece.
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What better way to kick off the new year than with a contemplation of the universe’s infinite mysteries? Here Dennison Ty Schultz shares just one thing about their January issue poem “Scientists Released the First Picture of a Black Hole &”
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We’re thrilled that Marcela Sulak’s “The Cost of Art” is our first flash of 2021! Here she shares just one thing about the piece.
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In our first Now Playing of the year, our January contributors take us from Alaska to the American South with their movie, TV, and music recommendations.
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Though we may be excited to put 2020 behind us, we can’t let it go without first celebrating all the amazing accomplishments our contributors and staff achieved in December!
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We’re so excited to kick off the new year by celebrating some of the brilliant flash fiction we’ve published! Here are our nominees for the 2021 Best Small Fictions anthology.
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We love Kate Felix’s EXPLOSIVE memoir “A Modern Chernobyl” in our November issue! Here she shares just one thing about the piece.
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Other people may slow down at the end of the year—but not the #SplitLipFAM! Check out all these amazing publications and honors from our contributors and staff.
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It’s not too soon to write about the pandemic if you’re as talented as Claire Rudy Foster. The protagonist in their November issue story “Saffron Farm” embarks on a much-needed quarantine getaway. Here Foster shares just one thing about the piece.
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Happy Thanksgiving! It’s a weird one this year, but we’re forever and always grateful for you, our #SplitLipFAM. Since we can’t have turkey and mashed potatoes with you, we’ve decided to have our staff share what books we’re most thankful for in 2020.
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Adele Elise Williams’ November issue poem “I do not know how to write pretty poems” explores what happens when a writer tries to wrap unpleasant experiences in pretty words. Here Adele shares just one thing about the piece.
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On Twitter, our flash editor Maureen Langloss described Gabrielle Griffis’ November issue piece “Everything Eats Everything” as a “mesmerizing story about a badass grandma.” Here Gabrielle shares just one thing about her piece.
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Teresa Meier’s November issue featured artwork “Beginning Counteraction” has been getting lots of love on social media! And no wonder—it’s like the world’s most vibrant game of I Spy. Here she shares just one thing about the piece.
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In November’s edition of Now Playing, our contributors have more recommendations to get you through, as one of them puts it, “the dumpster-fire times.” Their recent interests run the gamut from choral music to board games—something for everyone.
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