In her first full-length collection of poems, Some Kind of Shelter, Sara Tracey describes a gritty and vibrant working-class Ohio—a muscular, calloused and labor-hardened place that is reflected in the timbre of these steely poems.
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From the borders between ocean and shore, sea and sky, the voice of Niki Koulouris’ The sea with no one in it speaks. More importantly, though, the voice of this collection of poems positions the reader at the nexus of the image that imprints itself upon the perceiver’s mind and its apt expression in language on the page.
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In her characteristic style, Kristina Marie Darling blurs the already tenuous lines we draw between literary genres in her book Requited. Composed of a series of thirteen prose poems appended by an epilogue consisting of fragmented images, the book is defined by Darling as a work of fiction and includes the conventional disclaimer regarding coincidental resemblance to actual people and events.
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