I. [eye]
1 Be it a naked leg a slow oar of dust taut over
2 a canyon tent
3 the ledge where fingers map a line at rest in the
4 furtive calf muscle
5 ahead of the shak
6 ing train of a step of sandal
7 feet gaining Arizona the rough sun sanded sh
8 ore where a scar in the earth hung law over a young presence of
9 line and economic activity pressing on fully present in the untied d
10 ust
11 as a wall of fence severs our vein a bea
12 ten river d
13 rifting forward In a loss
14 event everyone ends in a forced
15 migration in wind and sun
16 and no safe water Skin n
17 ears a division of soil is IDd as a
18 restricted remainder All immigrants change
19 as entry touched a body raw
20 Before any law is an act made by an arm an official one
21 of a state a subdivision of us
22 as we are A wrist suspects it hears aliens is
23 unafraid to say reasonable attempts shall be made t
24 errorist to say blood determined the immigrant a soft person The
25 person is migration to us is all of our ID Our nomad
26 pursuit unites us centuries of our us
27 See aliens in love fully present in the untied status
28 of visit of voila tie it here localize here
29 What is a native if the map said the line shall be
30 transferred immediately to the west What hunted immigrant
31 cuffs mean or the United States Customs and Border Protection
32 Do not stand here Law will force again a m
33 arch or for an alien a ship Residents stay
34 and watch as custody of a dry land is tor
35 n Others fear and fear the outside the
36 jurisdiction fear seeing agents
37 Alien is made to search where a person
38 has probable cause to believe that fear is a home It
39 pulls a fence that makes the fear a song of buffer around us
40 Fix us river Wash off this
41 stain in the sand dry as a fish in a d
42 esert dry and restricted from sun
43 River remain in formation our linked migration a state of
44 vital exchange of form a wide feral state
45 a river meant to flow across
Ryan Clark writes much of his poetry using a unique method of homophonic translation and is particularly interested in how poetry responds to violence and subjugation. He is a regular contributor to the SRPR blog, and his poetry has appeared in such journals as Smoking Glue Gun, Tenderloin, Found Poetry Review, and Aufgabe. His first book, How I Pitched the First Curve, is forthcoming from Lit Fest Press. He is currently an Assistant Professor of Creative Writing at Waldorf University.